It was 1968 when I was recruited by the Buffalo
Courier-Express to cover the Allegany County, N.Y. news beat. I could not
have imagined what news technology would be like 47 years later.
Even then there was computerized typesetting, as it was
called, and that was a change from the way things had been done, when my mother
wrote the Portage Report for the Reporter Argus. She called friends and
neighbors in the area, and they called her, and then she hammered out the
column on her Remington Noiseless, and it was mailed to the paper unless someone
was “going in to town” and would drop it off.
At the paper, that news and the other content of the paper
were set in type by the Linotype, operated at great speed by a woman who seldom
took her eyes from the sheets of copy clipped at eye level. The smell of hot
lead blended with the smell of ink and the grease used to keep presses from
seizing up.
Heads and ads were still hand set. Young Chuck Boller used
to do a lot of that.
A few years later I became acquainted with George Questa,
Pennsylvania bureau chief for the Olean Times Herald. At that time the
TH rented quarters for its detached bureaus in their territories. George’s
office was in a very small house formerly used by the Port Motel owners. In it
were a typewriter and his camera gear, some office furniture and a Simplex page
teleprinter.
That page teleprinter did print, but its main function was
to send what George wrote straight to the TH newsroom, via a Western Union
tieline, or dedicated phone line.
The Simplex page teleprinter was like the Simplex 2B I used,
a year or two later, in the Western Union agency at Port Allegany Music Center,
my store and teaching studio—except that the 2B printer printed on strips of
gummed paper, fed from giant rolls. That printer and page teleprinters could activate
their counterparts in distant newsrooms, causing bells to ring and signal
lights to flash, and row upon row of text to appear as if by magic on long,
continuous rolls of paper a foot wide or so. That’s why the Jimmy Stewart
character in those movies would rush into a Western Union office and scribble
on Western Union blanks at the counter,
But Linotypes were no longer in common use in 1964-5-6 when
I was doing some campaigning for Senator Keating and for Goldwater-Miller, and
for Nelson Rockefeller. A lot of that involved publicity. I wrote and sent out
press releases, radio spots and mailings. It was important to cultivate
contacts in the media. So I knew the Western New York editor, Francis Byron,
and when they needed someone for the Allegany County slot he contacted me.
The Courier-Express had transitioned to computerized
typesetting, the perforated tape generation of it. So had the Times Herald,
which also recruited me before long.
Everything else, in news technology, seemed about where it
had been for years. Cameras were still a lot like the ones I used to see
Virginia Kallenborn and Alice Connolly use here in town, covering events for
the TH and The Bradford Era, respectively.
In 1968 I used a camera with a folding bellows and a very
fast shutter and a Honeywell 700 Strobonar. Later I used a Ricoh Singlex. Film
was sent by a bus that made daily trips to Buffalo, or a delivery service that
went to Olean or Wellsville.
Then the Courier-Express installed a Xerox Telecopier
Transciever in my office, which was in my home. It was a forerunner to the fax,
and akin to Telex. I typed up my stories on long foolscap and inserted the
sheets in the machine, dialed the Buffalo number and pressed Send. A high
definition send took six minutes, but on deadline I switched to four minutes.
Covering a flood had me sending so continuously the machine started smoking,
then died.
Soon I was sending copy to the Hornell Tribune by
telecopier, too. But to “put something on the wire” I had to go to Wellsville
and use the Daily Reporter’s AP set-up. Of course the Courier-Express
also sent any of our material to AP when they thought it should have that
audience.
After moving back to my hometown I was tracked down by Alpha
Husted of the Times Herald, an amazing Pennsylvania bureau chief. So did
a one-shot assignment, covering a coroner’s jury. But then I found myself doing
regular coverage when the Pittsburgh Corning employees went to New York city to
be checked for asbestos disease…
Working for the TH and The Era, I phoned copy to
“dictation” at the papers, and sent film by the Caskeys. Then we became modern
and used fax. Next we were using computers dialing up to and message boards.
Eventually we were using email and digital cameras and even
transmitting photos as email attachments.
Thinking of the changes that took place in the Reporter
Argus, technology-wise, I remember the change to photo-offset printing and
how the quality of photographs changed so dramatically. Layout was still done
by hand, with the paper being literally “waxed up” on page-size forms, then
photographed.
When the paper was sold to a Coudersport family, layout
still was done there. Sometimes I assisted. Copy preparation by us reporters,
columnists and editors was done with computers, and the results were printed
out. Macintoshes were used, so I got my Hackintosh going so they could use my
disks, and so I could run JusText, Joey Majot’s favorite typesetting program.
Today layout is done electronically and the digital results
transmitted to a distant printing company. The Era and the TH share a
press room and crew.
Other changes traceable to communications technology relate
to the shrinkage of the market for print publications generally, the ongoing
drift of advertising from print to other media, and the rapid expansion of
online news and social networks. Also, there is a shift to fluffier news and
less serious reporting, even in some of the traditionally “serious” newspapers
and news magazines, as well as radio and television.
But that’s news biz. Change.
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