A pal who lives a few
blocks away was encountering strange characters quite frequently, and this made
him wonder, he told me.
This pal is someone I
see online and in some Facebook groups more than face to face, and where he was
encountering the strange characters was in emails he received.
I gave him an
off-the-top-of-my-head explanation of why he was seeing A, wearing a beret or a
paper hat, at the beginnings of sentences.
Haven’t we all seen
examples of these odd characters popping up in newspaper columns? Often
ampersands are involved. You know, the symbol that looks like a cat sitting up
with its tail wrapped around its feet? The “and” sign? (Did you notice the
curly quotes around “and,” not straight ones we use to indicate inches? A
nicety of typography.)
The top-of-head
explanation I provided for my pal mentioned encoding, which sounds like a
branch of spycraft. Character encoding is arcane indeed. Let’s just say, things
were more laborious but simpler when Chuck Boller used to fit lead type into
boxes, backwards (not the whole story, but maybe the headline, and often for
ads). Or when someone viewed copy suspended nearby and prepared it for the
presses on a Linotype, throwing hot lead at incredible speed.
Having learned to
type on a Simplex 2B teleprinter in a Western Union tieline agency in my music
store, I was confined to three rows of block capitals, and numbers and limited
punctuation accessed by a shift key. There was even one that rang a bell at the
other end of the transmission, after the teleprinter had encoded my keyboarding
into something like Morse that could be transmitted by phone lines, and sent it
forth .
I’d have learned in
high school if Academic Program students had been offered typing. We weren’t,
then; typing was reserved for Commercial Program students. I am thinking that
is why Chuck Boller did not learn touch typing, but had to develop his own
system, which seemed to work quite well for him.
Switching to a real
typewriter was a treat. All those extra keys! Upper case and lower! Actual
punctuation! But there were only vertical glyphs, either singles or doubles,
for apostrophes, quote marks, inches and feet. Some typewriters had keys and
typebars for ½; some didn’t. But they didn’t provide nearly the number of keys
we are accustomed to now, with our keyboards with separate keypads and our
Function keys, our Ctrl and Alt and Windows (or our Command and Option and
Apple) keys.
Nothing lit up on
typewriters. Even much later, when there were electronic typewriters, we could
not underscore, italicize or bold, let alone change from Roman to Swiss, serif
or sans-serif, without swapping out the daisy wheel, or the type ball on IBM’s
Selectrics.
Then computers ushered
in ACSCII. Even tube computers and mainframes, properly programmed, were
conversant in ASCII. The acronym is for American Standard Code for Information
Interchange. It worked for storing and displaying text, and for rudimentary
formatting. You can find ASCII tables online, and look up the decimal,
hexadecimal, binary and glyph values of each printable or control character.
ASCII has given way
to Unicode, for most purposes. ASCII covers 128 characters including letters
and numerals and some punctuation, while Unicode can handle 65,536, covering
many languages, and scientific and math symbols and controls, and extras not
yet claimed. All the ASCII characters are included in Unicode, of course, with
certain additions such as a null on one end or the other. ASCII characters
require a single byte each; Unicode characters need two.
Then there’s HTML
with its variants and successors. This is where we start messing with
ampersands. HyperText Markup Language and its dialects are for the web, and can
be as entangling as if spun by giant spiders.
As for my pal’s
experiences with the A’s wearing their fancy modifiers marks, I suspect there
was a condensed-keyboard laptop involved somewhere. There are so many ways to
encounter strange characters, these days. Just think: you can meet up with me
downtown, at a meeting, in a store or club or restaurant, or online, or right
here. Some characters are called Dingbats (yes, you could include me); and that
includes the bullets I am about to insert with Alt codes (unless something at
the other end changes them to asterisks, tsk tsk).
Rush Limbaugh and I
have something in common. Sort of. He has experienced some hearing problems
that could interfere with his work. Me too. He has received a cochlear implant,
about 13 years ago, and just had the other ear done. I haven’t. He can afford
this very expensive procedure; I can’t. He is wealthy; that’s another
difference between Rush and me. I could go on, but I think you can figure it
out.
I have very limited
peripheral vision, consisting of two jagged visual fields that don’t meet and
usually can’t be resolved. I have had poor vision most of my life, and the
fields keep shrinking, and there are drop-outs in the fields. Then a couple of
years back my left cornea was damaged by an attack of shingles. That was my
good eye!
But my “auditory
fields” have changed to take in more ambient and peripheral sound, sometimes to
the point it seems louder than what I am trying to hear—especially when I am
stuck back in a corner, as I am at a school board meeting. My involuntary
hearing adaptation has made it harder for me to do my job. Acoustics in the
elementary school “Blue Room” are rather dead, anyway, and often there is air
movement in the ductwork overhead.
Cochlear implants can
be tuned. The sound processor can be programmed. That technology will change
many lives, as it becomes more widely available. It certainly has helped
Limbaugh.
So far, no brain
transplants. But what if they had Vulcan mind-melds? Just imagine, Rush and
me...
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